RA Royal Academy of Arts

WAHOOO!!! Talk about The Icing on the proverbial cake.

Well if someone had told me while I sat in the bed in James’s Hospital in November last that time will pass, your treatment will be successful and good things will happen. After all the treatments, blood transfusions, prodding and endless (but greatful) testsm, that in eight months you are going to be boarding a flight to the UK for the Royal Academy varnishing day, because my painting was selected for the most prestigious annual Summer exhibition in London. Im sorry but I would have asked were you on stronger drugs than me (and they were strong :-)).

But that’s exactly what has played out. I think someone is watching out for me.

To say I am on top of the world, is an understatement.

Im back home now and I have moments of “did that actually happen”?

We had a blast, and met even more amazing and wonderfully talented artists – theres millions of them out there, thankfully.

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RHA 2025

What a pick-me-up after a pretty bumpy winter: though I have been lucky enough to be selected a few times for the annual RHA show, it’s always a real treat to be selected.

These open submissions come with no guarantees of course, as many know who have applied before, so even if you get shortlisted, that’s a little win worth smiling about.

To get through the final round is amazing. This one was especially sweet given the past 6 months that I have had. I got two shortlisted, with one finally selected. Happy days! I am chuffed and very grateful to be selected. A day out after so much quarantining and what a day.

Thanks RHA selectors and congratulations to all the artists that got in and also well done to those that didn’t. I have been there and likely there again, but its important to realise its not personal, so we got to dust ourselves off and get back to what we do. Ready for the next round of whatever that might be. I never see it as rejected, I prefer to say unselected, because not everyone can get in, it really is a numbers game.

It might be your lucky number next time.

And it’s always a great chance to meet up with old friends.

Myra Jago & Tony Strickland
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The new studio

You just couldn’t make the stuff up. In September we had to vacate our studios. It was full on packing up over 100 paintings, sculptures and furniture not to mention paints, brushes and all the paraphernalia that we accumulate as artists. The largest painting being 2 metres x 3 metres. But we did it.

To top it all off I just managed to pack up the old studio and renovate a space at home and organise storage. I just managed to exhale but was not feeling the best, long story short, I was diagnosed with a rare form of leukaemia and our world was sent into a major spin.

In to hospital within a week for 5 weeks pre-Christmas for immediate chemotherapy and immunotherapy treatment. After lots (and lots) of tears, fears and gratitude I am now back, in my favourite space, my studio, which sits beautifully in my second favourite space, my garden. I get to fling open my doors, listen to the birds and deadhead my flowers all on the daily commute. Really what could be nicer right?

So sum the last 8 months up, we really don’t know what is around the corner, so take a breath and taste the moment. Right now is what it’s all about.

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Art Journal (USA) Artist’s Project Feature

What an absolute honour to be contacted by Art Journal in the US, published by Taylor & Frances, to feature as the chosen artist’s project for the Winter 2023 edition Volume 82, 2023 – Issue 4 – Published Feb 2024.

The project, though several months in the making, was a pleasure to work with the Taylor & Francis team.

The full feature is available in both print and Art Journal – Taylor & Francis Online

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I am not worthy.

I am not worthy.

Limerick Museum, 4th – 28th February 2020.

A collection of paintings depicting aspects of childhood viewed through an adult’s reflection.  Through the process of reflection, I became aware of the power of words and suggestions when I was a child. It is said that children are like sponges, they absorb their environment and those in it.  The child always listening, captivated by every word, influenced by the power of suggestion.” I am not worthy” struck a particular chord with me, when I heard the mantra coming from my lips, after years of repetition. But one day I really heard the words that I had repeated without question.

This body of work is not about questioning anyone religion or beliefs, but more to do with how powerful words can be.  I did not like to be told I was not worthy, what if as children we are empowered by words that prompt us to love ourselves, believe in ourselves, be kind to ourselves.

I aim to capture the vulnerability and the strength that children have in abundance.  This is achieved through exploring the fragility of the child’s mind and the power mantras have on them. These mantras passed on in most part,  innocently from parents, school, church. We hear it, we believe it, we don’t but question it.

For me, I felt at an early age reciting prayers in school to be somewhat uncomfortable. I heard each line I was saying but some words felt very uncomfortable to get off the end of my tongue. “I am not worthy” was not an easy one.

It was not that I was brimming with confidence, it just didn’t sit with me, perhaps I was fearful that it might be true. Maybe I felt unworthy, who knows. All the more reason not to have a mantra that crushes you every time. I am not saying everybody felt the same, but I suppose I was never asked. Instead in church, I would lower my head and mumble a sound, believing that I could not lie I had to be in my truth.

It took me into my adulthood to realise that the power of the word on us at an early age can be damaging. In my work, the portraits depict this vulnerability that separates us from the crowd, that quietens our spirit, but only for a short time if we are lucky. We can tap into our strength, our feisty childish warrior to question these mantras that don’t fit with us. That our gut feeling is telling us that this does not feel right, to trust this gut.

The advantage of being an expert in childhood means we can remember what it means to be funny, carefree. This is how we developed our resilience by climbing trees and falling. How we fell down, dusted ourselves off and tried again. There were no failures just “That didn’t work this time, what can I do differently next time”. As adults we tend to be in our “adult” head, afraid to fail. Not trying, maybe because we believe we’re not good enough.

For the day that’s in it, Happy Valentine’s day. Be kind to yourself first and foremost, listen to the mantra you are telling yourself, does it fit?

 

 

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